The Window: a portrait in a thousand parts

Below is a view of The Window art project installed as networked photographs, showing the connections across the images, subjects and themes (diversity, time, technology, velocity, beauty, movement, dance, Tarot, entanglement… etc).

“The Window”, institutional installation view of themes branching and massing from linear spine (proposed)

The Window is a 24/7/365/1 photo project capturing life in the 21st century city. (See more of the images and ideas-behind: HERE). Above is just one of its many infinite arrangements.

Much of the art by K.I.A. is one larger work composed of smaller elements, allowing iterative presentations. Here’s an installation whose content changes according to setting and arrangement; here’s a painting whose 30 individual paintings are to be decentralized; here’s a recombinant sculpture composed from many discrete parts, and here’s an intercombinant wall installation (this same approach later arrived at by El-Anatsui).

Disco Balls & Apple Blossoms (seen, soon gone)

Bits: of light, of flowers, of snow, of fire…

Inquire to acquire the set…(4 signed archival prints)

More from the Window: blog below, or Menu on the site


NOTES & LINKS:

petals pink blossom,
bright disco ball reflection,
snow. home. so soon gone

• The man amongst the petals often collects cans in the early Sunday hours. He climbs into the garbage dumpster looking for bottles from the nightclub. The club is decommissioning the mirror balls because the building is being demolished for condos. (The same building from which all these photos have been taken. The same building where we have lived for twenty years. Soon soon gone).

• Petals in flowers, reflected squares in a pattern of light, notes in a song, words in a haiku — making discrete units coalesce into a (poetic) gestalt is an ongoing approach in my work - The Window is one work comprised of many many images. Have a look at the large recombinant sculptures , the infinitely ephemeral “CRISPR” installation, the decentralized paintings , and the earlier remixable panel hybrid painting-sculptural-installations

• For more info about The Window photo project, contact: info@nu4ya.com

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Example grouping of selected images from The Window

Example large arrangement of images from the crosswalk view from The Window

Battle (Ballet), from "The Window" by K.I.A.

Sidewalk soloists to internal symphonies… duo pas seul

Two people months apart, spontaneously doing the same gestures and movements as they dance…

All images in The Window are candid happenstance; the 24/7/365/1 project is about interconnections across the images.

Possible Pareidolia

TL; DR: A pairing of enigmatic images of couples from The Window project, third one at bottom.

Pairings, juxtapositions and patterns. Across the time span of The Window series (LINK), context emerges which generates (accretes?) considerations beyond each individual image.

Two photos taken months apart, at different times of day, of different situations, when juxtaposed within the context of an exhbition (virtual or institutional), suddenly obtain more layers of meaning.

For example in the project there is a photo of a woman in high heels and fur at 11 p.m., arms outstretched, smiling and posing for a photo as she leans back against a stretch limo. Months later I captured an image of a woman at 6 a.m crammed into a kid’s bike trailer, immobile (sleeping, sick, dead?), as her partner cycled from dumpster to dumpster looking for bottles.

Placed side by side, each image becomes a tuning fork that resonates to the other.

Another example: separate shots over months of 3 different groups of 3 women crossing the street together. Each group is ethnically homogenous and of the same age within their triplet, but when the photos are placed sequentially you notice that each group’s pattern of walking is significantly different — one group is close, almost shoulder to shoulder, arms and legs in synch; the next group somewhat matching in stride and arm movements, but a little farther apart from each other; and the last group of three is dispersed and with no physical cohesion of motion. Is it culture, age, season, setting, time of day, or happenstance that causes this phenomena?

One of the images by itself is just a word, but the three together are a poem.

The Window: Poetic Sets

Themed groups of images from The Window: Velocity, Dance, Motion, Walking, Woman, Men, Trans, Night, Smokers, Selfies, Technology, Diversity, Equity, Beauty, History, Weddings, Dogs, Verticals, Time, U-Hauls…
Ediitoned signed archival prints: https://www.nu4ya.com/store?category=02+The+Window

"Found" dance performances, from "The Window" series by K.I.A.

It’s all a dance — we just don’t always hear the music. Here’s some “found” solo and group performances from The Window caught over the last two years (preview of the Substack page, see the full post & subscribe HERE

“Honor your partner / Oh promenade / Get all stirred up / Like lemonade…” - Box the Gnat

We pull and we push push/ Gimme some of that crush crush / Don’t do it, don’t blush blush / Badness is good stuff” - Make Me Shake (Gimme Some Crush Crush)

“Massive ballerina, on the dark stage / Pirouettes for millennia, starred arms out / Awaiting a hero / Only to embrace endless night, and absolute zero.” - Massive Ballerina

FOR THE REST OF THE POST, SUBSCRIBE TO K.I.A. A.R.T. SUBSTACK HERE

The Window by K.I.A.: Every Photo a Film

New section, or themed grouping, in the ginormous 24/7/365/1 photo project The Window by K.I.A.: Section 10 - Vignettes. These images hit at a bigger story happening beyond the borders of the photo — a shooting, a protest, a wedding, a riot, Drake, and Taylor Swift (ies)... (Many — most — of the images in the project are portraits showing the diversity, velocity, hilarity, vanity, complexity, eccentricity (etc) of the modern city in the 21st century. SEE VIGNETTES HERE. (Individual and compilation images available as signed editioned prints.)

morse-code forest, general stealth and argent armor

“e dot tree dot” by K.I.A. , is 84” x 60”
-black/gold/silver oilstick on scratched and scored aluminum.

Whenever I see a birch forest, the patterns of white and black feel like an encoded message being sent by the earth. So I took a poem by e.e. cummings “when by now and tree by leaf”, translated it into the dots and dashes of Morse code, and overlayed and image of a birch forest with it. I then translated key nouns from the poem (i.e. “snow”) into secretarial shorthand symbols for the cursive part of the painting.

The lines that make up the drawing are more than just decorative or structural -- they are themselves information. (The broader implication: behind everything we see there is a higher, or at least different, order of reality.) They are palimpsests — information layered on information.

General Stealth Car River 84 x 60”, oilstick on aluminum by K.I.A.

Tom Thomson x Emily Carr ÷ General Idea x Agnes Martin = genetically modified Canadian art. Taking the forests of Thomson and splicing them with organic shapes of Carr over the t.v. bands of General Idea, and beneath the minimalist lines of Martin.

There is a horizontal, as well as a vertical, tracking of light as the aluminum reflects with movement and illumination, contrasting the velvety matte of the oilstick.

Argent Silk Armor 84 x 60 x 5"” oilstick on faceted aluminum

A palimpsest— layers of textile shapes from Japan, Africa, Victorian era Europe, and a North American Indigenous breastplate, overlayed. The bends in the aluminum are the folds used on a kimono for storing.

CRISPR MICRO

New small work in the CRISPR series. Variegated, textured, reflective, linear and faceted surface that optically shifts according to position, light changes, distance, etc. (Inquire for details). See also the larger works (and public art scale works) in this series.

abstract paintings by K.I.A., silver abstract wall sculpture by toronto artist Kirby Ian Andersen

CRISPR painting series by K.I.A.

CRISPR SILVR - genetically modified paintings

New work in the CRISPR series of genetically modified (spliced) paintings, “CRISPR SILVR” 50 x 40 x 2”, acrylic on paper on panel. The sculptural painting consists of thousands of discrete slices of paper spliced togethe, with the work shifting and optically changing with the light and angle. See the ongoing series HERE

(The work below is the yang to its yin, same dimensions)

The Window by K.I.A.: compilation images

Compilation of photographs as grouped by theme into a single image.

The compilations range from two up to 60+ images. Dimensions variable and flexible — portrait, landscape, square, etc. Inquiries welcome.

Here are a few examples of the “visual poems” compilted from The Window, a 24/7/365/1 project documenting the diversity, velocity, and humanity of life at this moment.

See more of the compilations HERE (and more being added over time.)


“ultimulticulti” (39 image compilation):


“Views From the Six” (36 image compilation):


“Happiness Is Motion” (aka “Wheelers and Wheelies” (6 image compilation):


Other compilations: Gravity/Antigravity, Wraiths Below the Window, Sequences….

General Stealth Car River

General Stealth Car River 84 x 60”, oilstick on aluminum by K.I.A.

Tom Thomson x Emily Carr ÷ General Idea x Agnes Martin = genetically modified Canadian art. Taking the forests of Thomson and splicing them with organic shapes of Carr over the t.v. bands of General Idea, and beneath the minimalist lines of Martin.

There is a horizontal, as well as a vertical, tracking of light as the aluminum reflects with movement and illumination, contrasting the velvety matte of the oilstick.