tulips to crypto (cash fetish)

(bags, shoes, bins, & bits of money)

Commodities that had intrinsic value like grain, livestock, salt (Roman Empire), shells (Africa and Asia), and raw gold were the earliest form of money, used about 5000 years ago. Coins were first minted about 2500 years after that (in what is now Turkey) and made of electrum, a natural alloy of silver and gold.

A few hundred years after that China invented paper money, (around the same time as moveable type, see the last post), which became widely used around the 10th century. (Europe didn’t use paper money for another 600 years).

Sneaker-dealers speculate on limited edition runs of hype shoes. Provenance and condition for them are just as important as it is for high-end art. Shoe aficionados use insider jargon like “very near deadstock,” which refers to sneakers that are barely worn. I watched the buyer on the right inspect, for about 15 minutes, the treads, laces, insoles, and even the tissue in the box. (I was surprised he didn’t pull out an Air Jordan© jeweller’s loupe). The thick-soled thicc-soled shoes (by satanist Rick Owens) worn by the guy in the image below retailed new for $1000; on the resale market a year later, $4000+ . (If unworn. Never. Wear. The. Shoes). Limited edition sneakers are very hard to understand.

Paper money was always backed by gold, all the way up to the 1970s, when the US decoupled from it, turning the US dollar into a fiat currency (backed only by the “full faith and credit” of the government, not by precious metal reserves).

Fashion is backed by the full faith and credit of the consumer. Bathing Ape (above) is a Japanese streetwear company. To get their most-coveted limited edition clothes you have to first own a BAPE NFT. An NFT is a non-fungible token, which is basically a visual digital asset, like a jpeg of a funky Ape (as with crypto, the NFT’s blockchain code creates scarcity and provenance). You buy an NFT using a digital currency like Bitcoin. (Bitcoin is not backed by gold; nor by the full faith and credit of any government).

Bitcoin was first mined (not minted) in 2009. In 2010, programmer Laszlo Hanyecz made the first real-world purchase using crypto. He bought two pizzas for 10,000 Bitcoins, at the time the equivalent of $41 in real cash. Bitcoin is not just a currency, it is also a stock. Somehow. You are not supposed to spend it, just invest in it, and hold on to it for dear life. Had Lazlo HODLed, that $41 dollars of Bitcoin today would be worth over a billion old-fashioned dollars — $1,027,379,668.16 USD to be exact, depending on when you are reading this. That’s more than 50 million pizzas. Crypto is hard to understand.

READ AND SEE THE REST OF THE 14 PHOTO SET AT THE K.I.A. SUBSTACK HERE

up the long slide (even jack black)

TL; DR: below the surface & to the sun (Verticality, Part Two, by K.I.A.)

The original “Verticality” image arrangement (post) became concrete because of a synchronicity. I’d selected a series of photos of ephemeral moments — of disparate content, and taken with separate intents — which were captured over the course of a year, and then grouped them by elevation (how far the subject was from the ground). A vertical visual poem.

Just after I’d curated that grouping, by chance, I came across the poem “High Windows” by Philip Larkin. Here’s its last stanza:

Rather than words comes the thought of high windows: / The sun-comprehending glass, / And beyond it, the deep blue air, that shows / Nothing, and is nowhere, and is endless.

The poem’s last stanza resonates with the themes of The Window (continuity, infinity, with hints perhaps of both despair and transcendence… ). And, of course, the main hook was that all the photos in this series (of series) are, literally, taken from a high window.

So I used the poem as the connecting thread for that first post some time ago, but for a while now I’ve wanted to do a Verticality sequel. (Or… or maybe a franchise, at some point merchandising the IP with toys, maybe a gin or a tequila line, and possibly a cologne or a perfume — with signature top notes of transcendence, and base notes of despair). But I’ve held off for dittophobia.

Then a few days ago, out of nowhere, this famous line popped into my head:

SEE THE REST OF THE IMAGES AND READ MORE (SUBSCRIBE!) AT THE K.I.A. SUBSSTACK HERE

never hold snow (an ode via images) by K.I.A.

“Winter’s my favourite though. Stars are snow. Flakes that haven’t yet fallen to earth, tiny white frozen fires descending from the sky in lovely twirls. I joined them, in pirouettes and leaps across the yard, trying to get one to land in my opened hand — I imagined, the whole day, sitting inside, a wee girl looking out, all ways, always, even when it wasn’t a blizzard.”

“One winter night I dreamt of cold little suns landing on each of my fingertips — in slow motion I saw their icy coronas melting into every whorl. I woke up that morning to see sparkles in the thousands, a whole flattened galaxy, a snowy Milky Way on the ground and which I so longed to walk upon, like a wizard.”

“A wonder to walk, wipe a drip from lips after a summer ice cream… So I’ll never hold snow, now I know, or a baby or even a balloon, or ever hand out Easter eggs or unwrap a Halloween candy (my hands such terrible weather, tiny tornados), and there’s no catching a bouquet or leading a Mardi Gras parade (though take note of these gorgeous legs!), and of course no jumping about like a silly goat like the little ones.”

TO FIND OUT WHO THE SPEAKER IS, READ THE REST OF THE POEM, AND SEE MORE IMAGES, GO TO THE K.I.A. SUBSTACK HERE: LINK

All The Hills Echo Ha Ha He He (The Window by K.I.A. pt 54)

An angst-antidote — excerpts from Songs of Innocence by William Blake, paired with images from The Window photo installation series:

Merry, merry sparrow!/Under leaves so green/A happy blossom/Sees you, swift as arrow,/Seek your cradle narrow, /Near my bosom
-THE BLOSSOM

Pretty joy! / Sweet joy, but two days old. / Sweet joy I call thee: / Thou dost smile, / I sing the while; / Sweet joy befall thee!
-JOY

When the meadows laugh with lively green, / And the grasshopper laughs in the merry scene; / When Mary and Susan and Emily / With their sweet round mouths sing ‘Ha ha he!
-THE LAUGHING SONG

SEE THE REST OF THE POST AT THE K.I.A. SUBSTACK (and subscribe!): LINK

Protest! Antitest!

Signs & Flags & Tees & Trucks of the times

FOUND WORD POEM:

We stand
as one — we will not comply;
from the river to the sea,
just say,
no, don’t believe the lies —
essential liberty,
hugs, temporarily blocked,
50% off,
can’t we just all get along
(subject to court injunction),
we will fight in the court. Hibachi
…cont’d at the link below

SEE THE REST OF THE IMAGES AND POST AT THE K.I.A. ART SUBSTACK HERE

Grand Theft Photo (Appropriation, OK!)

A.I. poison & Prince-ly appropriation by K.I.A. (TL; DR: stolen shoots (The Window 47)
(PRINTS HERE & BY REQUEST)

In the ‘80s Richard Prince rephotographed a famous cigarette ad (the iconic cowboy riding a horse), cropped out the text, and presented it as his own work. By recontextualizing it, he transformed the shot into capital-A Art.

Appropriation art was not a new idea — Sturtevant’s painting repeats, Warhol’s soup cans, Duchamp’s urinal, and so on, probably back to the second-ever cave painting. But Prince’s appropriation did, and still does, stir up controversy.

Concerns of copyright, fair use, “added value” (changing the original enough to call it a new work), originality, authorship, ownership, effort, legacy, history, and of course acknowledgment and compensation are even more of a concern now that text-to-image A.I. can generate (appropriate) any style of art or artist you want. “Generate a Frank Lloyd Wright drawing”, “Make a painting in the style of Basquiat”.

Unlike Prince, all the photos in this post appropriate (hijack) the event not the shot. With the staging stolen, the images are recontextualized. They are candid pictures of other people’s mediated messages. They are meta-photos of a crime scene, an advertising campaign, a tv production, an Only Fans session, a fashion shoot, a text home, a family album, wedding photos, dating app pics, Instagram posts, TikToks (with faux paparazzi), and selfies, selfies, selfies…

READ AND SEE MORE IMAGES & SUBSCRIBE AT THE K.I.A. SUBSTACK HERE!

The Geometries of Taylor Swifties (THE WINDOW by K.I.A. pt 45)

TL; DR: Taylor Swift Dance Party participants, in polygons (PRINTS HERE & BY REQUEST)

I hear shrieks outside. It’s early evening, spring. Shouts, cries, and loud exclamations in big cities are alarming… but in rare cases, like this, they are joyous — the sounds from down below The Window are emanating from a flock of Swifties, in line for a Taylor Swift Dance Party. They are laughing loudly, and eager to shake it (off).

According to statistics, there are about a shibillion Swift fans worldwide. Here are a few of them — sequinned, blue-jeaned, braided, cowboy’d, lumberjacked — free-range, in their various geometries:

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IMAGES:

heXXagram

acute triangle

90,100, 60, 120 degrees of swifties

quadrilateral non-parallelogram with purses

biPhonic right angle

15 degrees ensequinned

theoretical investigations on geometrical structures of swiftie clusters

Geometries and glyphs of fans and fame, and the infinite mystery and magic of celebrity — Taylor’s a symbol, or sigil, for positivity, that’s why the lineup.

I go downstairs and join it.

love vector

I shriek a little (but joyously).

The Window w/ Swifties Geometries

NOTES:

-“Siri, Siri, in my hand, who is the famous-est in the land?”
“Taylor Swift, Of Course, is the famous-est in the land. There were 10,751,000 searches for her on Google this month, twice as many as the next famous-est, Ronaldo.”

- in the pic w/the pink cowboy hats, if you could “enhance enhance enhance” (as they do in movies) the girl’s iPhone image on the right, you’d see me leaning out the topmost window, 25’ above, taking photos. The only person to actually notice my actions was the girl who gave me the peace sign.

-The Window (all images in the photo series 24/7/365. from the one window) is mostly about interconnections across single images over a span of time. This post is one of the few showing multiple photos of a single moment (others were of a shooting, and a fire; while How Far the Man and UHaul Psalm were multiples of a single subject, but across a span of time.)

-the panoramic photo shows a few people in the lumberjack phase

-re: Google AI debacle, I queried it to generate images of a Swiftie & it made this:

-apparently the next Taylor Swift album “The Tortured Poets Department” comes out April 19 2024. So I asked Chatgpt to write a tortured haiku using Swift song titles, and it gave me this: Endgame without you / Haunted by blank space, lost love / Teardrops on my guitar

in praise of fails: Weatherworks - land art installations by K.I.A.

TL; DR: 30-foot art done-30° (“The Window” winterlude)

On Horizons

The newly frozen bay, somewhat snow white, sounds out as it warps — ringing, and singing, like an ice siren, alarm and allure. I jump, stomp, and kick down while walking onto this winter canvas. I’m holding a broom sideways — if I fall through, maybe it’ll save me. Should I be wearing a life jacket?

F1: Cities in Dust

Every December I make enormous weatherworks. The process is physically demanding — a duel, a sport, a dance — due to the difficult conditions (which are different every year). This art is always in cooperation with acquiescent to nature; i.e. this year, for the first time in ten, there is no ice. So “going-with-the-no-floe”, I shifted my colordrifts and glyphs to nearby snowy fields and frozen flora. But because the art is not at the time-honoured site, and I can only work at a much smaller size… all attempts are fails. (F1-F4):

F2: Color…Elide

Every December I make enormous weatherworks. The process is physically demanding — a duel, a sport, a dance — due to the difficult conditions (which are different every year). This art is always in cooperation with acquiescent to nature; i.e. this year, for the first time…

READ THE REST OF THE POST & SUBSCRIBE TO THE K.I.A. substack HERE

Possible Pareidolia

TL; DR: A pairing of enigmatic images of couples from The Window project, third one at bottom.

Pairings, juxtapositions and patterns. Across the time span of The Window series (LINK), context emerges which generates (accretes?) considerations beyond each individual image.

Two photos taken months apart, at different times of day, of different situations, when juxtaposed within the context of an exhbition (virtual or institutional), suddenly obtain more layers of meaning.

For example in the project there is a photo of a woman in high heels and fur at 11 p.m., arms outstretched, smiling and posing for a photo as she leans back against a stretch limo. Months later I captured an image of a woman at 6 a.m crammed into a kid’s bike trailer, immobile (sleeping, sick, dead?), as her partner cycled from dumpster to dumpster looking for bottles.

Placed side by side, each image becomes a tuning fork that resonates to the other.

Another example: separate shots over months of 3 different groups of 3 women crossing the street together. Each group is ethnically homogenous and of the same age within their triplet, but when the photos are placed sequentially you notice that each group’s pattern of walking is significantly different — one group is close, almost shoulder to shoulder, arms and legs in synch; the next group somewhat matching in stride and arm movements, but a little farther apart from each other; and the last group of three is dispersed and with no physical cohesion of motion. Is it culture, age, season, setting, time of day, or happenstance that causes this phenomena?

One of the images by itself is just a word, but the three together are a poem.

The Window by K.I.A.: compilation images

Compilation of photographs as grouped by theme into a single image.

The compilations range from two up to 60+ images. Dimensions variable and flexible — portrait, landscape, square, etc. Inquiries welcome.

Here are a few examples of the “visual poems” compilted from The Window, a 24/7/365/1 project documenting the diversity, velocity, and humanity of life at this moment.

See more of the compilations HERE (and more being added over time.)

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“ultimulticulti” (39 image compilation):

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“Views From the Six” (36 image compilation):

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“Happiness Is Motion” (aka “Wheelers and Wheelies” (6 image compilation):

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Other compilations: Gravity/Antigravity, Wraiths Below the Window, Sequences….

The Window (Threefer)

A study of the diversity and velocity of the modern metropolis…

Images from the ongoing photo series “The Window” by K.I.A. (See pages 1-6 on the sight, email for password, prints, nfts, and exhibition inquiries).

“Crosswalk Catwalk”:

“Movement Not Moving”:

Read about the below image “The Wandering Bishop” HERE.