License Shinjuku Zulu / K.I.A. songs for film and tv productions

Master and synch rights to all K.I.A. and Shinjuku Zulu songs are 100% owned by the artist. To license Shinjuku Zulu or K.I.A. songs for productions, contact HERE . One stop quick clearance for Shinjuku Zulu and K.I.A. songs tv series, movies, commercials and other productions.

Multiple songs by Shinjuku Zulu as well as K.I.A. have been licensed to tv series, MOW, and film productions around the world. (MTV, FOX, CBS, ABC, FX, CBC...) . There are vocal and instrumental edits for most songs. Songs can be pre-cleared for use, and multiple use (needle drop) deals are possible.

Grammy-award winner Sheryl Crow recorded K.I.A.'s song "Mrs Major Tom".

FOUR STAR REVIEWS: "Sheer brilliance, haunting vocals…top ten of the year”, - GLOBE “Breaks,house,reggae, exotic vocals… warrants repeated listens” -GAZETTE “Good dubby house, good electronic dancehall… urban dance at it’s best”-EXCLAIM "Ambitious trans-continental mashups, melds components elegantly" -POPMATTERS -2

Artists: 1 ) K.I.A. 2) Shinjuku Zulu. -6 albums (70+ songs). -Note songs: "That Groove" (dance), "Allelujah" (chill), "Make Me Shake" (sexy r & b), "Segue" (electronic climactic chant), "Uneunoia" (ambient instrumental)

All songs registered with SOCAN / ASCAP


SHINJUKU ZULU and K.I.A. songs by content / mood / style / theme, some examples:

SHINJUKU ZULU songs on Spotify: LINK

K.I.A. songs on Spotify: LINK

Singer songwriter songs for license: (theme)

K.I.A.:
Mrs Major Tom (lost love)
Hummingbird (love)
Box the Gnat (romantic love)

SHINJUKU ZULU:
Sweetness Likes the Reverb (love, accapella)

Dance songs, party club songs for license:
K.I.A.: Eyeah
SHINJUKU ZULU: That Groove, SXYLV


World / regional songs for license: (LINK)
K.I.A.:
Allelujah (ancient choral chant + electronic)

SHINJUKU ZULU:
Segue (global chants + beats)
Tuktuyuktuk (chants; hypnotic, otherworldly)

Songs about peace , unity, anti-war. getting along:
SHINJUKU ZULU:
One Come We
Allelujah

Songs about melancholy, loneliness, sadness, moody songs:
SHINJUKU ZULU: Broken (hums, blues vocals, ambient beats)
K.I.A.: Rise Up, Dubmarine

Songs about dating, sex:
SHINJUKU ZULU:
Make Me Shake
SXYLV

Songs about technology, dystopia, the future:
SHINJUKU ZULU:
We Do Supersonic
Massive Ballerina
SXYLV

Songs about diversity, equity, inclusion:
SHINJUKU ZULU
Shanghai Masai (rap)
Be My Woman Be My Man (male Vox)

Songs about Freedom:
SHINJUKU ZULU: Freedom

Songs about love:
SHINJUKU ZULU: Slow Is the New Fast
K.I.A.: Hummingbird, Feel It, Box the Gnat

Songs about speed:
SHINJUKU ZULU: Slow Is the New Fast, We Do Supersonic

Songs about relaxing, mediating, chilling out:
K.I.A.: Scatter, Dubmarine, Rise Up, MMM

K.I.A. song breakdown for Sonorous Susurrus album

Shinjuku Zulu song breakdown for Kiss the Honey, Honey

Shinjuku Zulu songs used in tv & film productions:
SHINJUKU ZULU: That Groove, Make Me Shake, Dirty Liar, We Do Supersonic, Be My Woman Be My Man, Kiss the Honey Honey, Hey La, Segue, The Way You Move, SXYLV, Slow Is the New Fast

K.I.A songs used in tv & film productions.:
Allelujah, Uneunoia, Eyeah, Nevermine, Be My DJ, Rashomon, Almighty Beat, PS/AT, Losing My Mind, Howdydaomaori, Sensation

EXHIBITION VIDEO - architectonic auras, unstatic art, wall jewels

Static photos don’t show the work well (nor does seeing the work online, the in-person person experience is much more transformative), so here’s some video walk-throughs… (CONTACT to see IRL)

The works are about ephemerality, instability, transformation and awe… (see web pages for more info)

EXHIBITION - Kirlian cities, Genetically Modified Wallworks, Alchemical Paintings

Shifts & Auras. Exhibition (Toronto): To come see the works in person Nov.27/28, or by appointment contact HERE

SHIFT: The studo show features larger “scupltural” paintings on thousands of slices of spliced paper (which reveal detail and color from different angles), a number of small works with complex textured/painted/crystaled surfaces, and a couple of larger works on canvas (archtiectonic auras).

CRISPR PAINTINGS: More in the series HERE. Genetically-modified artworks, the individual ‘visual genes’ of the painting cut n paste edited like in the gene-editing CRISPR technology.

SMALLS:

Rashomon works, the painintg shifting constantly. Alchemical spliced paintings, acrylic, ink, crystals on paper. 16 x 16” framed (13 x 12” unframed). The meticulous linear surfaces disurpted/enhanced by the random faceted surface. Flattened Faberge eggs, a Kurt Schwitters brooch, genetically modified cyanotypes…

WORKS ON CANVAS: Left: Metatropolis series Right: Shift series. The Metatropolis works are Kirlian cities - architectonic auras. The Shift series were done en plein air, at specific sites - some in -20 degree weather - using local “data” (flora, etc) to “GPS” the work to the location.

walkthrough, room 2

L.A. Art Collector: "No There There" acquired

“No There There / No Hear Hear” by K.I.A. as installed a at Los Angeles art collector’s home. 84 x 60” Oilstick on industrial reflective tape on aluminum. (Part of the Transformer series.)

The work is transtemporal (like much of my work) -- there is a complex bas-relief texture of a Victorian petit point motto that reveals beneath the 21st century material. This work fuses the silver palimpsest series, and my linear mandala/DNA spectrogram/sliced collage approach.

The text reads "No Hear Hear, No There There", expanding on the Gertrude Stein quote about unreliable memory and perception of place, and emptiness, to include 'here/now' and not just 'then/there' ('Hear' aurally sounds as 'Here'). The mirror tape is utilized for another layer of the palimpsest, forming an abstracted digitalesque map of Oakland, GS's hometown. (Re: a map is not the territory, never is the actual place, just like memory...)

The reflective quality of the work allows the colors in the room, or the viewer, to resolve/dissolve into the piece. It also creates a shifting or unstable optical appearance as one moves around the work, with the different textures or sections luminescing at different angles or time of day.)

No set Time. No concrete Place. No set Meaning* -- interpretation of the phrase shifts when using a different sense -- one hears "Here" but sees "Hear", so the text can simultaneously be understood as  "No praise, No comfort" (no encouraging claps of "hear, hear" from the crowd, no comforting pats of "there there" from Mom.)

*Final feint: the title of the work is actually "Here Her, There He"

20190722_183426s.jpg
20190722_171326s.jpg

New Works page

Added a “New Works Page” to gather current projects for those who don’t see the blog..

See it HERE

New Old Archive

Going to be slowly adding older posts from the previous site, in a non-linear fashion. Click to see the first new old post: Remixing, Sampling, Scratching, Looping Art